Yerba Buena Center for the Arts
San Francisco’s Yerba Buena Center for the Arts excels at making it’s cool taglines real. Like ‘Center for the Art of Finding Beautiful Truths Amidst Ugly Realities’. Or ‘Center for the Art of Expressing Optimism Against Unfathomable Odds’. And even ‘Center for the Art of Exposing a Needle of Insight in a Haystack of Confusion.’
These often lyrical insights are woven throughout YBCA’s mission and are activated within the diverse communities in which it consciously operates.
Yes, there’s still an active exhibitions program but one that orientates itself around social change and that promotes discussion around participation, reflection and awareness. With exhibitions by socially engaged artists such as Suzanne Lacey, Futurefarmers and Tania Brugera, YBCA goes beyond the standard solo show format to interactive installations that process our everyday realities at depth and within clear contexts.
But YBCA as a real, impactful and needed platform also manifests beyond it’s white walls and into the public realm, onto the streets, in the neighborhoods and within the urban lives surrounding it’s downtown location. YBCA’s public artworks, for instance, advocate for change. Like the partnership with the Tenderloin Healthy Corner Store Coalition, in which artists replace existing neon signs advertising liquor and cigarettes with new ones selling fresh produce. Other sited works are designed to capture our public imagination like Ana Teresa Fernández’s Dream.
With it’s moment defining YBCA 100, YBCA surveys and amplifies the people, initiatives and movements affecting social change. 2018’s wide-ranging list included the ‘me too’ movement, the students of Majory Stoneman Douglas High School, comedian Luna Malbroux, activist Naomi Klein and poet Chinaka Hodge. While YBCA’s Fellowship Program brings together creative citizens across the Bay Area to collectively interrogate a single urgent question that culminates in an inclusive day-long Public Square event, of performances, installation, workshops, and presentations.
Then there’s the partnership with Blue Shield that builds on the ‘growing evidence that art, creativity, and culture have measurable impacts on individual and community health.’ Culture Bank, co-founded by YBCA Director Deborah Cullinan, which actively invests in artists who are cultivating the hidden assets of our communities. And now YBCA has become home to the Curatorial Research Bureau, a bookstore, learning site, exhibition and public programs space that opens up who gets to learn about the discourse impacting culture.
Shaping itself very much as a ‘citizen institution’ in all these many ambitious ways, YBCA is more than an arts institution, it is a container for all our lives. It’s public service ambition is most eloquently summed up in the words of Cullinan:
Across the cultural field, people are starting to build frameworks for engagement, transformation and participation, often through the filter of culture, and creating the structures to help negotiate our lives, from multiple perspectives. It’s a very different approach to what culture was supposed to do previously and how our institutions have been conceived and constructed. YBCA is a lead player in this field: reconfiguring what it means to be an arts institution today, the role that cultural spaces can actively take to affect our everyday lives, and what a center for doing something about it can actually look like.
Visit. Engage. Participate. Because what YBCA makes happen matters to us.
Website: www.ybca.org / Facebook @YBCA / Instagram @ybca / Twitter @YBCA