Turning Earth Ceramics
Go here if: You want to learn a new skill, make work in ceramics, be part of a community, find new ways to relax and unwind, nurture your creativity, or even develop your career.
What is it: Turning Earth's pioneering ceramics studios are for everyone, from beginners to part-time professionals, and can now be found in four London locations: Hoxton, Leyton, Tottenham and Highgate. They offer classes and open-access membership, "like a gym membership for potters".
Turning Earth Hoxton
Turning Earth Highgate
Why you need it: Turning Earth's mission is to cultivate craft both as an accessible hobby and as a viable career (they offer a full-time professional studio, In Production, in Leyton). They want to contribute towards a broad adult curriculum that will improve the quality of life in the city.
What they offer: All the ways to try making and develop skills: Tasters, 8 or 12-week beginners courses, intermediate courses, week-long courses, weekend-long courses, private workshops, and monthly membership.
For members, they also organise improvement workshops, like their very popular raku parties, and they have exclusive access to their quarterly ceramics markets.
Turning Earth Leyton
Turning Earth Tottenham
What makes it different: The community and atmosphere are unique to each of their studios. Someone might join for the craft and end up staying for the friends and a 'second home' discovered.
What else do you need to know: They are open every day till late except on Mondays. If you’re not local you can see the wide diversity of skills and techniques on their Instagram which is often updated with pots made by their members in the studio.
In their own words: Turning Earth was founded by Tallie Maughan. Their first studio, Turning Earth Hoxton, opened in December 2013. Following a model popular in the US, it was the first dedicated open-access ceramics studio in London.
“Turning Earth is indebted to the Arts and Crafts movement at the beginning of the 20th century, which suggested that there should be no separation between utility and art.
Our vision rests in the intuited feeling that we will naturally make life more beautiful when we take our aesthetic awareness, our right-brained feeling for things, as seriously as we take our rational understanding of the world.
We exist to enable people to make beautiful physical objects, and in so doing to make their lives more beautiful: more centred, more fulfilled, more present to what they truly care about.
We feel that in making this movement, we are encouraging a broader social shift towards living with care in our world.”
